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more a reverence for time-honored principles than the analytical, ironic, and questioning approach dominant in the films of today. His idea was to reinforce values he'd learned from his parents and his brother a noted playwright in a dramatic format which could be "felt" by young and old, alike. DeMille gave his audience what they expected from an "A" picture. He painstakingly produced authentic looking packages in which to wrap his vision - embellished by the "glitz" of what was, then, the "ideal" Hollywood portrait: Bluer than blue skies shimmering, jewel-encrusted costumes out-sized architecture dramatically convenient thunderbolts and perfectly lovely female leads, with make-up invariably and predictably un-smudged. America had an identity then.DeMille's vision was, always, of "an ideal". Today, it's students "shooting-up" in parking lots or shooting down their classmates in the halls. The biggest problem in schools was students chewing gum in class. there were virtues too, many reflected in the writing and performances of "The Ten Commandments": Virtues like courage, strength of character, personal honor, and endurance were paramount no pun intended. Polio, the continuing menace of poverty, the material and spiritual separateness of what we called "colored people", Communism, etc. For many, I'm sure, the nostalgia extends beyond the film itself.There were problems in the mid-fifties, as in every decade since the real Moses came down from Mount Sinai. Sense of nostalgia that accompanies any new viewing of this one-of-a-kind Victorian pageant.